Pier Paolo Pasolini's “Love Meetings”.
Reflections by Luciano Ragusa, curator of the ford Cinema with the idea of traveling Italy in the head of Italy in search of faces and places useful for the project of the Gospel according to Matteo (1964), Pasolini glimpses the possibility of building an investigation film with the method of the interview. On the false line of cinema-brown which in 1961 had aroused interest and discussion also in Italy (Chronique of a ...